Category Archives for "Slavery"

Oct 23

Slavery at Hanni’s Workshop

By Victoria | Slavery , Textile workers , Til Barsib , Trade and merchants , Women and weaving

Kar Shalmaneser was an important provincial capital in the network that was the Neo-Assyrian Empire and it became a bustling commercial centre; perhaps providing goods to Assur, as well as participating in trade with other regions. Not much is known about the identity of the merchants but it is possible that at least some of the trade was in private hands.

Some of the wealthier families of Assur in the Neo-Assyrian period followed the palace in maintaining their own industrial workshops. Dr Nicholas Postgate suggests that “It would not be an innovation: in Old and Middle Assyrian Assur a large household might employ a number of weavers – probably mostly female slaves – producing their own cloth for commercial purposes, and there is no obvious reason why this should not have continued into the first millennium as well”.

Is it possible that the production of textiles in Hanni’s workshop represents a commercial enterprise?

In the baked clay tablets found at Tell Ahmar, Hanni does seem to be a person with significant wealth, is engaged with business dealings and in contact with the Assyrian administration. Three of the documents indicate that he acts as a creditor, lending silver with interest. He has a number of workers at his disposal, slaves both male and female which he purchased, and the texts which describe a list of rations may refer to these people.

Two of the texts from Til Barsib are standard Neo-Assyrian contracts referring to the sale of slaves (geme). In one a woman is transferred to Hanni’s household; another describes the purchase of a man or group of persons. In tablet 8 the slave-girl is mentioned by name, Nannaya. Another text records a register of goods rationed to the workers, who presumably lived within the complex, and fed and clothed themselves from these rations. A hearth was found in Room XI, Hanni’s workshop, while large quantities of cooking and simple wares were recovered from this area. It seems probable that the status of the textile workers had limited freedom and property of their own. Instead, they lived and worked in the workshop.

Slave hands Slaves at Hanni's workshop Til Barsib

No details are known from the texts of the identity or ethnicity of the workers at Hanni’s establishment. They may be victims of war (or the descendants of such). They may have been born into slavery and purchased by Hanni from other slave holders. Or they may have been sold into slavery by their families. Unfortunately there is no explicit information about their origin.

The figurine makers must have had access to a source of clay. As clay is the predominant fabric for loom weights, it is clear that the textile workers, who, it must be assumed, produced their own unbaked clay loom weights, were able to use the clay sources for the figurines. Likewise, the plainer cooking-pot wares found in concentrated quantities in Rooms I and II of Hanni’s house and in those rooms of Hanni’s workshop where textile manufacture took place, were probably made by slave workers who lived and operated in these parts of Hanni’s establishment. The numerous ovens found in the main courtyard and within many rooms may have been utilised for firing of both the ceramics and the figurines, as well as in the processing of foods.

slaves at Til Barsip Hanni's slaves textile workshop

Although the texts found at Tell Ahmar do not explicitly state that the women bought and owned by Hanni were engaged in weaving, it is very probable that the textiles produced in buildings associated with him were the product of female labour. Female slaves were often assigned this task. It is possible, though speculative, that the elite ladies of Hanni’s household (if any were present) were responsible for the production of certain household textiles particularly those for interior decoration or personal use. It is very plausible that the female slaves in the workshop were used in the textile manufacturing process, perhaps on an industrial rather than domestic scale.

So, if my conclusions are right, that the female, enslaved textile workers were making the figurines, why would they?

What do you think?

Postgate, N. 1987. “Employer, employee and employment in the Neo-Assyrian Empire”, in MA Powell (ed) Labor in the Ancient Near East, New Haven: American Oriental Society Series 68, pp.257-270.


Oct 18

Slavery in the Ancient Near East: Weaving Factories

By Victoria | Neo-Assyrian Empire , Slavery , Textile workers , Weaving

Tablets from Tell Ahmar tell us that workers were bought by Hanni to presumably to labour in his Workshop and likely in his private quarters as well. We don’t know the ethnicity of these workers, unfortunately, though it is my belief that because the objects they used were found amongst the figurines (which are of a local manufacture and style), that it is at least possible that the workers were also local.

In her study of the textile industry of the Ur III period (3rd millennium BCE), Dr Rita Wright concludes that the status of the female weavers employed by temple and state workshops was that of chattel slaves or semi-free workers without land.

sale of a male slave and a building in Shuruppak, Sumerian tablet, circa 2600 BCE

Sale of a male slave and a building in Shuruppak, Sumerian tablet, circa 2600 BCE

These workers are referred to as either geme, who were legally dependent persons forced to work as weavers or millers or sag, which denotes a person who is a slave. Geme are wholly state property and slaves who work in temple or palace workshops should be referred to as ‘dependent workers’, while those in private ownership have the status of ‘chattel slave’. A distinction was made between geme who were employed in agricultural tasks and those involved in domestic chores, including weaving.

As semi-free or enslaved workers, it is very unlikely that they owned any land. Instead they were most likely paid in food rations, which for female workers was among the lowest distributed. Wright also suggests that these women had little family life; they are listed by name only, rather than being described as ‘wife of…’, and their children are termed orphans at their death, further implying that the women were not married.

Recruitment of workers came from two sources: families in poverty who paid their debts by selling kin into slavery; and populations of regions captured in war. Several texts from Mari mention women who are recorded as female prisoners of war taken from a place named Kulmish, captured by Zimri Lim. Among the prisoners were groups of priestesses known as ugbabatum, who were spared the indignity of the textile factory to which most of the women were sent. It is likely that the temple and palace workers were the most marginalised group within Mesopotamian society. Either disenfranchised by their family or alienated from society as deported foreigners, these women had few rights or opportunities.

Assyrian captives, relief sculptures from palace at Nineveh, 668–627 B.C. (Metropolitan Museum of Art)

Assyrian captives, relief sculptures from palace at Nineveh, 668–627 B.C. (Metropolitan Museum of Art)

The rise of the temple and palace-based factories in the 3rd millennium in Mesopotamia, effected increasing power of these institutions over the former kin-based industry. The large scale factories were to become the model for 2nd millennium enterprises throughout Greater Mesopotamia. Vast numbers of people, both free officials and semi- or wholly-dependent workers, spent their lives producing the textiles for the internal consumption of these immense households and for the external trade upon which the economy was based.

The factory at Guabba is estimated to have had over six thousand workers, while that of Ur had approximately nine thousand, and that the industrial workshops of the 2nd millennium, such as Assur, Mari and Alalakh continued to employ large workforces. Numbers of workers, if not explicitly stated in the records, may be calculated through examination of ration lists. Workers, often slaves, were given quantities of food such as barley and oil, as well as cloth with which to make their own garments, and were apparently housed within the factory complex. According to documents from Mari, an official named Mukannisum, presiding over gangs of textile workers, was responsible for producing the textiles to clothe one hundred to three hundred palace workers.

The bodies of female slaves were available sexually to their owner; if a man other than her owner has intercourse with a slave, that man was perceived to have committed a crime against the owner rather than against the slave herself. The concept of ‘rape’ was unknown because slaves were not considered legal persons. Children born to slaves were also considered the property of the slave owner.

In the city of Lagash during the Ur III period the number of male children in the workshops was always less than female children, suggesting that boys were purposely excluded from the weaving workshops. Men also did not seem to take part in the actual activities of textile manufacture, though they may have had a dominant, supervisory role. The administration of wool production at temple workshops of the Ur III period involved the employment of male overseers who were provided with the raw materials for processing and were accountable for these and the output of the slave-girls in their teams. The supervisors of gangs of female weavers are sometimes recorded under a term gala which may be used in references to men who were feminine in some way.


Diakonoff, IM. 1976.”Slaves, helots an serfs in early antiquity”, in J. Harmatta and G. Komoroczy (eds) Wirtschaft und Gesellschaft im Alten Vorderasian, Budapest: Academiai Kidao, pp.46-78.

Englund, RK. 1991. “Hard work: where will it get you? Labor Management in Ur III Mesopotamia”, in Journal of Near Eastern Studies, Vol. 50, pp.255-280.

Jacobsen, T. 1970. “On the textile industry at Ur under Ibbi-Sin”, in WL Moran (ed), Toward the Image of Tammuz and other Essays on Mesopotamian History and Culture, Cambridge, Mass: Harvard University Press.

Maekawa, K. 1980. “Female weavers and their children in Lagash – pre-Sargonic and Ur III”, in Acta Sumerologica, No.2.

Postgate, N. 1987. “Employer, employee and employment in the Neo-Assyrian Empire”, in MA Powell (ed) Labor in the Ancient Near East, New Haven: American Oriental Society Series 68.

Wright, RP. 1996. “Technology, gender and class; worlds of difference in Ur III Mesopotamia” in RP Wright (ed), Gender and Archaeology, Philadelphia: University of Pennsylvania Press, pp.79-110.



Oct 10

Tentative Steps Back To Archaeology…

By Victoria | ASOR Meeting 2014 , Colonisation , Slavery , Trip to USA

Before I knew it, I’d hit send.

I gulped. I’d just sent an application to present a poster at the American Schools of Oriental Research 2014 Meeting to be held in San Diego next month.

“So what?” I hear you ask. “It’s only a poster. It’s not as though you have to stand up in front of all those incredibly knowledgeable people and speak’’.

I know, that’s not you speaking. It’s the conflicting voices inside my own head.

I’m awash with emotions. Thrilled that my application to show a poster was accepted; terrified that I’m going to be knock-kneed and tongue-tied trying to discuss it. Denigrating my contribution to the conference (“only a poster”) as if that was some kind of poor cousin to a spoken conference presentation. I’ve been quite good at that in the past, putting myself down.

I also feel a bit of an imposter, a fraud almost, which is ridiculous as I have a first class doctorate degree from the University of Melbourne, but…I haven’t done any archaeological fieldwork nor in-depth research for 15 years and I’ve published just one article which is now completely out-of-date and a bit of an embarrassment.

Who am I to think that anyone would be interested in my little poster?

Right. That’s enough wallowing! Pull yourself together. There’s work to be done before I get on that plane including sending my rewritten thesis to the typesetter. This is the academic version of the thesis with all the bits that non-archaeologists might find dull, such as footnotes, measurements of each and every figurine, details of context and lots and lots of passive sentences. I do believe that archaeologists should share their findings with the general public and have published a lay-persons version and another for teenagers both of which will be available on Amazon in a matter of weeks.

The Iron Age Figurines From Tell Ahmar Victoria Clayton


I am terribly excited about the conference and about visiting America for the first time. I’m calling it my “Great Archaeological Museums of America” tour. On the itinerary is the Oriental Institute in Chicago, the Kelsey Museum in Ann Arbor, the Semitic Museum in Boston and the University of Pennsylvania Museum in Philadelphia as well as several in New York. Apologies to any equally Great museums which didn’t make it onto the list this time round.

Feeling very ignorant but fascinated by American history and again, as with the museums, I’m sure there are hundreds of historical sites significant for so many reasons, but I’ve had to narrow it down to the earliest days of the colony at Williamsburg, the period of slavery with antebellum mansions in the south and the struggle for freedom with the Underground Railway. Apparently there are many extant ‘stations’ on the Freedom Trail to visit in New York and Boston.

When I first started this blog it was intended to be an account of my journey back into archaeology and this is very big step on that road. I’m thrilled to be going to the conference for three big days of Near Eastern archaeology and to be part of the proceedings is just the icing on the cake!

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