Category Archives for ASOR Meeting 2014

Seen But Not Heard: What Museums Tell Visitors About Figurines

I have just returned from a wonderful five and a half weeks in the US where I visited approximately ten museums of archaeology and anthropology.

I say ‘approximately’ because the final museum, which I visited three times, the Metropolitan Museum of Art in New York, is considerably more than ten museums rolled into one! I had thought that it would be the greatest of all the museums I visited and while it takes the cake for the number of objects on display, all the museums I visited, large and small, had many things of value to view, think about and enjoy, not least the manner of their display.

When I left Australia, the purpose of my trip to America was primarily to attend the American Schools of Oriental Research annual meeting in San Diego. As I’ve written previously, this was a pretty big step for me back into archaeology. I’ll be posting about some of the sessions I attended shortly.

Me presenting my poster at ASOR 2014.

Me presenting my poster at ASOR 2014


The idea of a tour of great archaeological museums occurred to me as an extension of that initial purpose. Australia has some wonderful museums of archaeology (link to websites) (and I’m even now thinking of taking some time to visit them), but the opportunity of being in the US opened the possibility of viewing some ‘old friends’ – familiar objects of study from my university days. My object was simple, walk slowly round the museum, enjoying the displays, particularly of figurines, take photos, reflect and re-immerse myself in the ancient world.

I chose the following museums and visited them in this order:

  1. Archaeological Museum of the Oriental Institute, Chicago
  2. Kelsey Museum of Archaeology, University of Michigan, Ann Arbor
  3. Semitic Museum, Harvard University
  4. Peabody Museum, Harvard University
  5. Harvard Art Museums
  6. Museum of Natural History, Smithsonian Institute
  7. Freer Sackler Museums, Smithsonian Institute
  8. Museum of Archaeology and Anthropology, University of Pennsylvania, Philadelphia
  9. Metropolitan Museum of Art, New York

Of course, there are many others I could have chosen, but these were the nine that seemed to, well, come up on my google search, to be honest!

At first, my aims were simple, just to locate, ponder, photograph and basically enjoy the figurines I found on display. I used my camera and notebook to record what I saw, figurines as objects in a display cabinet. I read some of the information panels, but not all. The purpose was just to look at figurines with a view to researching the more interesting looking ones and possibly blog about them.

Some of the visits included personal trips down memory lane (Assyria to Iberia, a wonderful exhibition at the Metropolitan Museum of Art. Here you can find the blog kept by the curators and I’ll soon be posting my own reflections on it.

Assyria to Iberia exhibition poster at the Metropolitan Museum of Art, New York (own photo)

Assyria to Iberia exhibition poster at the Metropolitan Museum of Art, New York (own photo)

Seeing once again objects from my undergrad days, such as the material from the UR III Tombs on display at the University of Pennsylvania Museum of Archaeology and Anthropology was delightful.

Bull-headed lyre from Ur III tombs.

Bull-headed lyre from Ur III tombs. Read more about it here.

There were also exciting first-time meetings (for example, the black figure vase showing women weaving kept at the Met) of objects I knew so well but had never seen. I was thrilled to be there, happy to be surrounded by fascinating archaeological artefacts once more.

Vase depicting women weaving. Read more about it here.

Vase depicting women weaving. Read more about it here.

As I moved down my list of museums, I found myself not only looking at the figurines, but in the manner of their display and the information provided to the visitor. I began to pay more attention to the information provided to the viewer about the figurines, the other objects they were placed with and the section of the museum they were housed in.

Some interesting ideas started to form in my mind. None of these ideas is as yet fully formed even now; I am still reflecting on them and will post in full soon.

Here is an incomplete list of some of these ideas:

  1. Whether archaeological artefacts are pieces of ‘art’ and indeed what is meant by a ‘museum of art’. What’s the difference between a ‘museum of art’ and an ‘art gallery’? What is being said about an archaeological artefact when it is displayed in an institute with ‘art’ in its name? Are figurines works of art anyway?


  1. Whether objects without provenance, obtained by museums via a method other than scientific excavation, need to be displayed in some other way than simply as pieces of ‘art’? What message is the public receiving (if any) about the value of archaeological objects by having those without known context on display? What information choices are being made to describe figurines without context in museums?


  1. Female figurines are almost without exception interpreted in museum displays as having something to do with ‘fertility’, either as a votive offering, a depiction of a goddess or a worshipper, or a protective or magical device (at the Natural History Museum of the Smithsonian Institute female figurines are housed within a section focussed on the development of human creativity and imagination along with writing and symbolic behaviour).


  1. The role of the archaeologist in the design of exhibits, particularly those including female figurines. Do curators study archaeology? What is the value of a museum studies or curatorial course?


  1. How can museum displays be more engaging for visitors, especially those involving figurines?


Now, I am quite sure that the questions above are hardly original. But I am not a museum professional, just a museum visitor with a special interest in how figurines are displayed and the information offered to other visitors about them.

Regarding figurines, there does appear to be a disconnection between innovative interpretations of figurines being developed by archaeologists and either the knowledge of those ideas by museum professionals or the decisions made by curators or exhibition designers to offer these interpretations to the public. On the other hand, as the fertility cult theory is still so pervasive in Near Eastern archaeology, perhaps curators believe this is the current, unquestioned theory.

I’m wondering about how figurines displayed in museums relate to archaeological theory and practice.

Do you visit museums? Have you ever wondered about the information provided to you about objects or paintings? Have you ever come away from a display thinking ‘but why’?

Leave a comment and tell us of your experiences with figurines (or other objects) in museums!

Tentative Steps Back To Archaeology…

Before I knew it, I’d hit send.

I gulped. I’d just sent an application to present a poster at the American Schools of Oriental Research 2014 Meeting to be held in San Diego next month.

“So what?” I hear you ask. “It’s only a poster. It’s not as though you have to stand up in front of all those incredibly knowledgeable people and speak’’.

I know, that’s not you speaking. It’s the conflicting voices inside my own head.

I’m awash with emotions. Thrilled that my application to show a poster was accepted; terrified that I’m going to be knock-kneed and tongue-tied trying to discuss it. Denigrating my contribution to the conference (“only a poster”) as if that was some kind of poor cousin to a spoken conference presentation. I’ve been quite good at that in the past, putting myself down.

I also feel a bit of an imposter, a fraud almost, which is ridiculous as I have a first class doctorate degree from the University of Melbourne, but…I haven’t done any archaeological fieldwork nor in-depth research for 15 years and I’ve published just one article which is now completely out-of-date and a bit of an embarrassment.

Who am I to think that anyone would be interested in my little poster?

Right. That’s enough wallowing! Pull yourself together. There’s work to be done before I get on that plane including sending my rewritten thesis to the typesetter. This is the academic version of the thesis with all the bits that non-archaeologists might find dull, such as footnotes, measurements of each and every figurine, details of context and lots and lots of passive sentences. I do believe that archaeologists should share their findings with the general public and have published a lay-persons version and another for teenagers both of which will be available on Amazon in a matter of weeks.

The Iron Age Figurines From Tell Ahmar Victoria Clayton


I am terribly excited about the conference and about visiting America for the first time. I’m calling it my “Great Archaeological Museums of America” tour. On the itinerary is the Oriental Institute in Chicago, the Kelsey Museum in Ann Arbor, the Semitic Museum in Boston and the University of Pennsylvania Museum in Philadelphia as well as several in New York. Apologies to any equally Great museums which didn’t make it onto the list this time round.

Feeling very ignorant but fascinated by American history and again, as with the museums, I’m sure there are hundreds of historical sites significant for so many reasons, but I’ve had to narrow it down to the earliest days of the colony at Williamsburg, the period of slavery with antebellum mansions in the south and the struggle for freedom with the Underground Railway. Apparently there are many extant ‘stations’ on the Freedom Trail to visit in New York and Boston.

When I first started this blog it was intended to be an account of my journey back into archaeology and this is very big step on that road. I’m thrilled to be going to the conference for three big days of Near Eastern archaeology and to be part of the proceedings is just the icing on the cake!